Garrett Kalleberg’s volumes of poetry include Malilenas (Ugly Duckling Presse, 2009), Some Mantic Daemons (Futurepoem, New York, 2002), Psychological Corporations (Spuyten Duyvil, New York, 2002), and Limbic Odes (Heart Hammer, New York, 1997). His poetry, reviews, and translations have appeared in various journals, including Brooklyn Rail, The Canary, Crowd, Damn the Caesars, Tragaluz (Mexico), Fence, Sulfur, First Intensity, Denver Quarterly, A.bacus, Aufgabe, Mandorla, and American Letters & Commentary, and in An Anthology of New (American) Poets (Talisman House, 1998). Garrett’s theatrical work The Situation Room was produced by Brooklyn Drama Club for Collective Unconscious, New York, 2002, and The Fringe Festival, New York, 2003. He edited and published the international online poetry and criticism journal The Transcendental Friend and the text-based audio CD imprint Immanent Audio from 1998 to 2002. His awards for poetry and critical writing include a grant from Poets & Writers, two awards from the Academy of American Poets, and two grants from The Fund for Poetry. He received a BFA from Cooper Union in 1983, and an MA in Creative Writing from City College in 1996. Garrett lives in Brooklyn, NY.

Here’s where I tell you something about me in a more human way. Well. Someday.

My CV lists book & journal publications, theatrical productions, and the like.